About the song
(watch the video below)
"King Creole" is a dynamic rock and roll classic recorded by the legendary Elvis Presley in 1958. Written by Jerry Leiber and Mike Stoller, the song serves as the title track for the film of the same name, in which Presley stars as the charismatic and street-smart Danny Fisher. With its infectious rhythm, catchy melody, and Presley's electrifying vocals, "King Creole" is a testament to the King of Rock and Roll's enduring legacy as one of the most influential artists in the history of popular music.
The song opens with a burst of energy, as a rollicking piano riff and pounding drums set the stage for Presley's electrifying entrance. From the moment he begins to sing, his voice crackles with intensity and charisma, commanding attention and igniting the imagination of listeners around the world. With each word, he brings the character of Danny Fisher to life, exuding confidence and swagger as he navigates the streets of New Orleans with style and flair.
As the song unfolds, Presley's vocals soar with a sense of urgency and excitement, mirroring the protagonist's journey from rags to riches and back again. The lyrics paint a vivid picture of the vibrant and colorful world of King Creole, where danger lurks around every corner and temptation beckons from every shadow. From the sultry allure of "A hard-hearted Hannah, ladidadida" to the infectious refrain of "He's the King of Creole," Presley's delivery is nothing short of electrifying, leaving listeners spellbound by the sheer force of his talent and charisma.
One of the most memorable aspects of "King Creole" is its infectious rhythm and irresistible groove, which draws listeners in and keeps them moving from start to finish. With its driving bassline, propulsive drumbeat, and jazzy horn section, the song is a masterclass in rock and roll instrumentation, showcasing the talents of Presley's backing band and capturing the spirit of New Orleans' vibrant musical heritage.
But perhaps the most enduring legacy of "King Creole" is its role in shaping Presley's image as the King of Rock and Roll. With its blend of swaggering attitude, streetwise charm, and undeniable charisma, the song epitomizes everything that made Presley such a cultural icon. From his iconic pompadour hairstyle to his signature dance moves, Presley embodied the spirit of rebellion and youthful exuberance that defined the rock and roll era, and "King Creole" remains a shining example of his enduring appeal.
In addition to its cultural significance, "King Creole" also holds a special place in the hearts of fans around the world as one of Presley's most beloved songs. Its catchy melody and infectious rhythm have made it a favorite on jukeboxes and radio stations for generations, and its timeless appeal continues to captivate audiences of all ages. Whether it's blasting from the speakers of a vintage Cadillac or filling the dance floor of a rock and roll club, "King Creole" remains a timeless classic that embodies the spirit of an era and the legend of a king.
Video
Lyric
King Creole, go
There's a man in New Orleans who plays rock and roll
He's a guitar man with a great big soul
He lays down a beat like a ton of coal
He goes by the name of King Creole
You know he's gone, gone, gone
Jumping like a catfish on a pole, yeah
You know he's gone, gone, gone
Hip-shaking King Creole (King Creole, King Creole)
When the king starts to do it, it's as good as done
He holds his guitar like a tommy gun
He starts to growl from way down in his throat
He bends a string and that's all she wrote
You know he's gone, gone, gone
Jumping like a catfish on a pole, yeah
You know he's gone, gone, gone
Hip-shaking King Creole (King Creole, King Creole)
Well, he sings a song about a crawdad hole
He sings a song about a jelly roll
He sings a song about a-pork and greens
He sings some blues about New Orleans
You know he's gone, gone, gone
Jumping like a catfish on a pole yeah
You know he's gone, gone, gone
Hip-shaking King Creole (King Creole, go)
He plays something evil, then he plays something sweet
No matter how he plays, you gotta get up on your feet
When he gets a rocking fever, baby, heaven sakes
He don't stop playing 'til his guitar breaks
You know he's gone, gone, gone
Jumping like a catfish on a pole, yeah
You know he's gone, gone, gone
Hip-shaking King Creole (King Creole)
You know he's gone, gone, gone
Hip-shaking King Creole (Creole, Creole, Creole, Creole)
